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Back To Home Page JOHN E. SIPE BIOGRAPHY John E. Sipe is the fifth of six children born to parents
of German and English heritage whose forefathers had migrated from
Pennsylvania to North Carolina and settled in Catawba County. He was born on
February 27th, 1931 in a three room house about five miles south
of Newton, North Carolina that was owned by his great grandmother, Jane
Turner, known throughout the area as “the great wine maker”. He attended both
elementary and secondary school at Balls Creek School in Catawba County. On June 16, 1951 he married Mary Hughes from Kannapolis,
North Carolina. Out of this union came one daughter, Crystal Jane Sipe, born
December 6, 1953 and one grandson, Raymond J. DeMund, born November 14, 1986. In August 1951,shortly after his marriage he was drafted into the U S
Army where he served honorably in the Korean War. After his discharge on
April 1, 1953 he returned to Newton and worked in the local furniture
companies until a “Spiritual Awakening” led him to violin making. Up to this
time, his environment had afforded him a limited insight into the
capabilities and range of colors that the violin could produce. Although self
taught, success meant following the path that God had laid out for him. In 1972 he
attended master classes at Hofstra University in New York City, taught by
world famous makers and repairmen. He also toured Europe visiting many of the
famous makers and their shops. In 1977 he traveled to England to study bow
making from Malcolm Taylor, then retired bow maker and teacher from W.E. Hill
and Sons. On his return home he made forty-five bows now being used by
professionals throughout the music world. He retired from bow making because
he was allergic to the Pernambuco wood, which is toxic. Today at age
74, he is among the top of the profession and still at work creating
masterpieces for today and future musicians.
This is the house John
was born in about five miles south of Newton on HWY 321. Since his birth, the house has gone
through some modern changes like the white siding that covers the old
original weather beaten pine boards. It is still occupied
today. |
John Sipe Violins Catawba County Museum Exhibit On August 7th, 2005,
John Sipe donated a specially made violin to the Catawba County Museum. Pictured here is John, daughter Crystal
and his wife Mary after John was awarded a key to the city of Newton. The “Newton Wilson”
THIS ARTICLE APPEARED IN THE HICKORY DAILY RECORD NEWSPAPER A gift for Newton Violin will make its debut on Sunday By KIM GILLILAND Record Staff Writer Friday, August 5, 2005 NEWTON --
Violins crafted by John Sipe are played in symphonies from Chicago to New
York. His latest creation will play in Newton on Sunday as a gift to his hometown. “I wanted
to give back,” said the 74-year-old Newton native, who now lives in
Charlotte. “My family encouraged me to do this.” In 1960,
Sipe began making violins at his home in Newton. In 1985 he retired in Charlotte
and built a workshop behind his home, devoting himself solely to making
violins, violas and the occasional cello. Sipe spent
the last four months assembling the pieces of Burma maple and West Virginia
spruce into the violin, called “Newton Wilson,” for the infant son of
Nathaniel Wilson, the first local state legislator, who helped the N.C.
General Assembly create Catawba County.
“It sounds
like the old Italian violins,” Sellers said. “You can’t hardly tell them
apart.” Sellers
will play three pieces, including Handel’s Violin Sonata No. 3, Allegro. The violin
will find a permanent home at the Catawba County Historical Museum, located
in the 1924 Courthouse in Newton. “This is an
astounding gift to the people of Newton and Catawba County,” said Sidney
Halma, executive director of the Catawba County Historical Association, which
operates the museum. “Mr. Sipe has honored his native community with the
finest work of his art, and allows his fellow hometown citizens to
appreciated more fully his distinguished career.” Sipe is
also making a bow, to be displayed with the violin. The violin
will not rest. “It needs
to be played at least four times each year,” Sipe said. “It’s just as good as
any new violin made today.” |
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